{"id":16375,"date":"2024-03-26T13:15:11","date_gmt":"2024-03-26T12:15:11","guid":{"rendered":"https:\/\/tatachristiane.com\/univers\/?p=16375"},"modified":"2024-08-08T14:01:48","modified_gmt":"2024-08-08T12:01:48","slug":"lenfant-azur-between-neuroatypia-inclusion-and-artistic-creation","status":"publish","type":"post","link":"https:\/\/tatachristiane.com\/univers\/news\/lenfant-azur-between-neuroatypia-inclusion-and-artistic-creation\/","title":{"rendered":"L’Enfant Azur: Between Neuroatypia, Inclusion, and Artistic Creation"},"content":{"rendered":"

L’Enfant Azur: Between Neuroatypia, Inclusion, and Artistic Creation, by Amandine Habid<\/a><\/h2>\n

\"L'Enfant1. Article origin: Conversation with a friend from high school
\n2. Nine Spirit: Hybrid projects and OANI
\n3. Balancing roles: Life, creation and motherhood
\n4. Change in 2015: a new artistic dimension
\n5. Confronting difference: Journey with my son
\n6. Inspiring encounters and crucial support:
\n– Parent training: Key to understanding autism
\n– The family circle, a shared struggle
\n7. Festival Piano en Fleurs: Neuro-atypical inclusion
\n8. Genesis of “L’Enfant Azur”: Inclusive show
\n9. Reflections on the meaning of commitment and Autism
\n– Commitment: another form of modesty
\n– Autism and the experience of the Other
\n10. Embodying the creative project: voice and bodies
\n– Moonk, voice and body
\n– Angel and Vito, bodies and dance
\n11. The interdisciplinary creative residency
\n12. The first performance of L’Enfant Azur in the Jardin de Fontblanche in Vitrolles
\n13. Conclusion: Dreaming, laughing and accepting singularity
\n14. About Amandine Habib<\/p>\n

\"L'Enfant<\/a><\/p>\n

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1. Origins of the article: Conversation with a friend from high school<\/h2>\n

\"L'EnfantThe inspiration for this article came from a conversation with a long-time friend Julie Bourgeois, the founder of the fashion label Tata Christiane<\/a>.
\nWe were two rather original kids at Lyc\u00e9e Thiers<\/a>. Julie was sewing and I was playing piano at the Conservatoire. First, she made stage dresses, a bonnet, and lots of laughs along the way.<\/p>\n

As adults today, I realize that what we might have called originality in the past has actually never left us and has become the bedrock of our shared future.<\/p>\n

\"L'Enfant<\/p>\n

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2. Nine Spirit – Tata Christiane: Hybrid projects and OANI<\/h2>\n

Tata Christiane’s couture<\/a> is deconstructed yet joyful, for queens or punks. It resembles many of the projects I carry and defend.<\/p>\n

\"\"<\/p>\n

The projects of the Nine Spirit company<\/a>, of which I am artistic director, are also aimed at everyone. They are hybrid in form, often transdisciplinary and trans aesthetic.<\/p>\n

\"L'Enfant<\/p>\n

We could call these projects OANI: Objets Artistiques Non Identifiables.<\/p>\n

These definitions of our artistic choices fit perfectly, if I may say so, to what neuroatypia is a rather different way of being in the world.<\/p>\n

“Azur does a lot of things that go against the grain, but which way are we talking about? The way people usually go? This child isn’t interested in the straight-and-narrow direction of everyone else.”<\/p>\n

But back to L’Enfant Azur<\/a> and its origins.<\/p>\n